Media Art Nexus

Just completed the four-day presentation of Quantum Logos (vision serpent) at Ars Electronica Deep Space 8k theater. It was quite a ride, with my colleagues in arms Ina Conradi, Bianka Hofmann, and Bob Kastner. Full of the requisite stress that comes with big efforts. Although I produced and animated all of the visuals myself, I received a much needed musical score from Tate Egon Chavez. Other consultation came from Rupert Ursin, deputy director at the Institute for Quantum Optics and Quantum Information (IQOQI) of the Austrian Academy of Sciences. I’m an artist/animator and not trained in Quantum Theory or cultural archetype and metaphor, though these are interesting subjects to study.

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Echoes, Whispers, and Memories is an abstract film that uses entropy as a metaphor for cultural, social, and environmental interactions shaping urban spaces. Premiering at the City Digital Skin Art (CDSA) festival, on the LED animations in Singapore, Hangzhou, and Beijing the piece reimagines entropy a a generative decolonial force.

Echoes, Whispers, and Memories is an abstract film that uses entropy as a metaphor for cultural, social, and environmental interactions shaping urban spaces. Premiering at the City Digital Skin Art (CDSA) festival, on the LED animations in Singapore, Hangzhou, and Beijing the piece reimagines entropy a a generative decolonial force.